Juxtapoz Magazine – Peter Opheim and Adam Handler are Warriors and Ghosts

GR Gallery is delighted to present Warriors and Ghosts, a key duo exhibition of Peter Opheim and Adam Handler. The clearly show will element a complete of 21 works, independently produced by the two artists appositely for this event, that will challenge the exhibition title by unleashing a selection of ghostly paintings and abstraction stuffed warrior-like figures that will captivate and invite viewers into an encounter that illuminates a vibrancy of hues and textures.

Warriors and Ghosts” aims to show special tactics that immerse the viewer into a chaotically imaginative planet. The two artists create a amazing realm, populated by whimsical characters that mirror on childish demeanor yet also figuring out expressions in the sort of solitude, imagination, feelings, and connections. Peter Opheim’s oil paintings are windows into a world of fanciful entropy, pushing boundaries by the unconventional and provocative juxtaposition of childlike inspirations with adult thoughts and emotions. Opheim initially generates clay figures that are at when obtrusive and enriched, then interprets his figures on to canvasses. His colourful clay figurines embark his childish fears that are rooted in deformed physique pieces, unnatural colors, like an archetypal panic that hides driving the innocence of the plot in fairy tales.

Adam Handler makes vividly aesthetic is effective that cultivate beauty by returning to the supposed primal or elementary beginnings, adopting a boy or girl-like fashion, questioning our conceptions of and presumptions about our encompassing truth. Adam establishes his paintings on the flooring leaning about the piece it is really a private and psychical expertise. Inside of these intimate confines he feels absolutely free to experiment with new concepts. Quite a few of the little die-slash performs on exhibit characterize a purging of his feelings, passions, insecurities, nightmares and dreams. Adam’s enchanting figures evoke kawaii, Japan’s society of cuteness, floating in very patterned, kaleidoscopic environments. Nonetheless, they also position towards our internal craving for the uncooked psychological states of adolescence. Handler’s paintings are ultimately maximalist odes to the imagination, populated with psychedelic gardens and surreal spirits.

Mildred K. Pearson

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