All About Self-portrait as a Young Man by Rembrandt

Title of Artwork: “Self-portrait as a Younger Man”

All About Self-portrait as a Young Man by Rembrandt

Artwork by Rembrandt

12 months Established 1634

Summary of Self-portrait as a Youthful Man

Regular artwork historians take into consideration the tronie Portrait of a Young Gentleman with Gorget and Beret, also recognized as Self-portrait as a Youthful Male (the two with option titles), to be 1 of about 40 self-portraits painted by Rembrandt. The most modern restoration by Daniele Rossi, on display nowadays at Florence’s Galleria degli Uffizi, unearthed the artist’s signature, which had been protected by many years of varnish.

All About Self-portrait as a Youthful Gentleman

Even if it were being an incomplete Rembrandt portrait taken around by yet another artist, the Rembrandt Research Job and other present-day academics currently question whether or not it is by Rembrandt at all. Looking at how little the experience resembles the several established Rembrandt self-portraits, it is even a lot less most likely that this is a self-portrait by the artist.

It was formerly considered to have been painted close to 1634 due to the subject’s obvious youth (assuming it is a self-portrait) and Rembrandt’s deficiency of his signature moustache at that time. If we contemplate only Rembrandt’s type, we can spot this about 1639–1641.

The particular person, as in several of Rembrandt’s reliable self-portraits, is dressed in a fantastical fashion that is extra reminiscent of the 16th than the 17th century. Several of Rembrandt’s tronie self-portraits element the gorget, which was common army garb at the time.

Johann Wilhelm, Elector Palatine (“Jan Willem”), who was married to Anna Maria Luisa de’ Medici, the last Medici, was an avid artwork collector. He dominated from 1690 until eventually 1716. Like his father-in-law, Johann Wilhelm amassed a selection of artists’ self-portraits for his personalized assortment.

A spouse and children of Florentine nobility and artwork collectors, the Gerini spouse and children gained the artwork as a present from the artist. In 1724, it was shown in Florence beneath the title “Rembrandt Self-Portrait,” and in 1759, an illustrated catalogue of the Gerini collection was generated, figuring out the portray as belonging to that selection.

Frescoes by Giuseppe Zocchi (1711–67) at the Palazzo Gerini depict the personification of “Painting” perusing a catalogue held by two putti and revealing the web page depicting that work.

The significance of the painting is shown by the exceedingly uncommon fresco rendering of a reproduction print. The Uffizi’s renowned collection of painters’ self-portraits incorporated it in 1818.

Data Citations:,

Mildred K. Pearson

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